Brandon Learning Centre: British Education - process, preparation and practicalities

Chinese New Year is one of the happiest times in the calendar. Rather than dwelling on misfortunes, we look forwards with hope, optimism and determination. We look around us and appreciate the blessings given to us by our families, friends and colleagues. Traditional red fai cheun (red banners with traditional good wishes) hang everywhere. The good wishes are tailored to audiences (at Brandon Learning Centre we wish our students good progress with their studies!) We also make our own, less traditional fai cheun by writing acrostic poems. Here is how you do it: Choose a blessing for your family such as "happiness" or "peace" and write it vertically on a piece of red paper. For each letter, write a few words expressing your good wishes. Roll your paper into a scroll and tie it with a gold ribbon. Once you have finished your poem, you can read aloud and present the scroll to your family. P rosperity, joy and comfort E xcellence, progress and fulfillment A

So now you are word-perfect and can whisk you way through the first part of this Christmas classic, shall we move on? (Steady with this line, make each word crisp so your audience can share in the excitement) More rapid than eagles his coursers they came, And he whistled, and shouted, and call'd them by name: "Now! Dasher, now! Dancer, now! Prancer, and Vixen,( indicate with the voice, you are encouraging the reindeer so try to be upbeat) "On! Comet, on! Cupid, on! Dunder and Blixem; "To the top of the porch! to the top of the wall! "Now dash away! dash away! dash away all!" ( faster ) As dry leaves before the wild hurricane fly,( don't stop here! You need to say these two lines together to make sense of them ) When they meet with an obstacle, mount to the sky; So up to the house-top the coursers they flew, With the sleigh full of Toys - and St. Nicholas too: And then in a twinkling, I heard on the roof The prancing and pawing of each litt

Reciting for an audience is a skill that, once acquired, becomes addictive. The trick is for the reader to disappear, leaving the listeners entranced. One of the classic performance poems has to be "The Account of a Visit from Saint Nicholas" which is more commonly known as the "Night Before Christmas". Wikipedia has a fascinating article about the poem's disputed origins but we can all agree that it encapsulates the excitement felt as we immerse ourselves in the Christmas dream. There are many sources of this poem online and I thought that you might find it useful for me to add some reading (reciting) notes so you can enthrall your listeners this Christmas! See my notes in bold ... start quietly but clearly which will cause your listeners to lean in and become part of the story ‘Twas the night before Christmas, when all thro’ the house, Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nic

As you post your Christmas cards, think about the journey they are about to embark on to reach their destination. The rather splendid 1936 documentary "The Night Mail" incorporated a poem by WH Auden set to the wondefully discordant music of Benjamin Britten celebrates the passage of the Night Train delivering letters. The poem has a strong rhythm and, if you listen to the recording of the original documentary, you will hear that it is a perfect echo of the sound of wheels on a track. If you are reading in public, pay attention to the speed of the third stanza and see if you can increase the speeed as the train zooms down the tracks. Your listeners will never look at the postal service in the same light again! Night Mail - W. H. Auden (1907 - 1973) This is the Night Mail crossing the border, Bringing the cheque and the postal order, Letters for the rich, letters for the poor, The shop at the corner and the girl next door. Pulling up Beattock, a steady climb: The

The nights are drawing in, Christmas decorations have been up in Hong Kong for a month now, families are gearing up for the trilogy of Christmas, New Year and Chinese New Year. This year, why now kill the television and entertain your family with good old fashioned poetry recitals? What makes a poem suitable for a performance? Use the following criteria and you won't go far wrong! 1: Does the poem have a strong story or message? 2: Is there scope for your dramatic range? 3: Do you like it? Is it suitable for your audience? 4: Does it end on a strong note? Casabianca by Felicia Hemans is a stirring ballad which has been enthralling audiences since it was published in the 1820's. The poem is instantly recognisable from the first stanza: The boy stood on the burning deck Whence all but he had fled; The flame that lit the battle's wreck Shone round him o'er the dead. The poem continues for for another ten stirring verses and inspired generations. Less st

Whenever I become pessimistic about the future after reading the newspapers I think about my students. I have recently finished teaching a short public speaking class at Hong Kong Polytechnic University (HK PolyU) as part of their aim of broadening the academic experience. This year's class had students from Hong Kong, Thailand, Mainland China and Nigeria. Diverse backgrounds but united in their desire to contribute to society and make a difference. Coming to public speaking early is an incredible experience. Watching this class shed their fears and develop public speaking skills was terrific. They also introduced me to an optimistic world view and shared their hope about the future. Whereas the newspapers are full of doom and gloom, this group are confident that they will try their best to make our world a kinder, more equitable place. Their new found presentation skills will help them to communicate and share their vision in the future and I am incredibly proud to have played

As a child, I remember being terrified and thrilled in equal measure by Alan Garner's novels. Set on the edge of the Pennines, The Weirdstone of Brisingamen builds tension from the first line. Two children become enmeshed in a mysterious adventure incorporating local legends, devious residents and portents of doom. The book is rich with imagery and the language will delight. How about this for a simile: "...thin as a rasher of wind.." Fabulous! Radio 4 is currently running an excellent play based on The Weirdstone of Brisingamen and I throughly recommend it (although I have to admit that I was utterly petrified in parts.) For anyone interested in public speaking, Phillip Voss's diction is a delight to listen to. "> To listen to the BBC dramatisation Any 10+ year old will be challenged by this novel. After a diet of watery fiction, this book is a sumptuous feast. "> To see details of The Weirdstone of Brisingamen on Amazon

Our first Speech Festival students of this year performed yesterday and, despite nerves, managed to enjoy the experience. Well done Jenny, Hayley and Alex on your first place prizes and Alvina for your second place. For students who are yet to compete; don't forget to warm up, smile and be confident. The Festival is about gaining experience, not winning. Savour the powerful feeling you get when you have a whole room of people listening to you and remember it whenever you need an extra push in the future. Good luck to all of you.

The day is coming to a close... to quote the hymn "night is drawing nigh/Shadows of the evening/Steal across the sky" What better time to reflect on your day and bring it to an end on a high point? Assuming that your audience has folded up its tents and crept silently away, try this exercise on your own in front of a mirror. The scenario is this: You are being interviewed by a radio presenter and have been asked to identify the highlights of your day. Use this framework: 1: Summarise the theme of the day 2: Give detail 3: Conclude on lessons you have learned/experiences you have enjoyed/things you never imagined would happen That is it. Three minutes to combine reflection and public speaking! For today, my speech would be: 1: Today started on a low, wet note and ended on a joyous high. 2: When I arrived at Brandon Learning Centre this morning, one of ths classrooms had flooded. After our brilliant air-conditioner men solved the problem, my spirits were lifted by

Push aside the porridge, move the muesli and use breakfast time to sharpen your public speaking skills! How? Every day, choose an article from the newspaper (or the news if you aren't a morning reader) and compose a swift presentation either arguing for or against it. Be disciplined; your presentation has to have a clear beginning, middle and end. It needs to be concise and you need to incoporate at least one piece of evidence to support your case. Push yourself; if you have a possible audience, get them to join in. This could be a perfect activity for the school run and both you and your children could be developing skills at the same time. The more you practice... the more fluent you will become. Five minutes every day and you will not only develop potential conversation skills but will also be on your way to becoming a skilled presenter on any topic.

Sometimes, a poem leaps out at you and grabs you by the throat. I discovered this short piece in a wonderful anthology called "London" which is part of the Poetry of Place series and has been put together with exquisite care by Barnaby Rogerson. The imagery of The Embankment is a profoundly moving plea, particularly as the weather becomes colder and we start focusing our thoughts to celebrations and warmth. I was especially drawn to the unexpected replacement of the familiar "moth-eaten" with "star-eaten." Sometimes,we need a poem which challenges our expectations, re-orders our priorities and shakes us out of our complacency. This would make a stirring performance poem; short and emotive and guaranteed to leave your audience wanting more. The Embankment - Thomas Ernest Hulme the fantasy of a fallen gentleman on a cold, bitter night Once, in finesse of fiddles found I ecstasy, In the flash of gold heels on the hard pavement. Now see I That wa